- #Orange is the new black season 5 episode 13 watch series full#
- #Orange is the new black season 5 episode 13 watch series tv#
#Orange is the new black season 5 episode 13 watch series full#
Throw in the twists and turns in present day – Burset angles for estrogen pills, Chapman hunts a chicken and avoids her crumbing relationship with Larry, Vause turns on the charm, Red loses her spot in the kitchen - and you’ve got a winning formula, even when every single engine isn’t firing at full power.Īnd that’s fortunate, because in spite of all of its strengths, "OITNB" served up plenty of cringe-inducing moments in its first season. Like the back stories on “Lost” during its stellar first three seasons, "OITNB’s" flashbacks are the highlight of the show, thanks to the ways they reveal the backgrounds of each character and deepen our understanding of their motivations in thoughtful ways. With its second season now premiering, "OITNB" now has everything it needs to keep us in its thrall – a compelling, colorful and not totally bleak microcosm inhabited by great characters played by great actors. These are actors an audience can’t peel their eyes away from. From the initial concept and material, Kohan and the other writers fleshed out a full roster of intriguing female characters audiences had never met before, and Kohan cast the parts brilliantly – Natasha Lyonne! Laverne Cox! Kate Mulgrew! Laura Prepon! (Even when she’s deadpanning, which is most of the time, somehow she makes it work).
Starting with Piper Kerman’s memoir and building it out into an ensemble drama was a stroke of genius, freeing creator Jenji Kohan from the repetitive, gimmicky nature of “Weeds,” a hilarious one-trick pony that was pretty tough to ride into the sunset under any circumstances.
#Orange is the new black season 5 episode 13 watch series tv#
A few years ago, you could only dream of selling a TV show about a big, unwieldy gaggle of women, many of them over age 35, many of them regular-looking, many of them lesbians, many of them brown and black and every shade in between, and most of them foulmouthed, irreverent, recalcitrant criminals.īut "OITNB" also offers that just-right modern mix of comedy and tragedy, levity and seriousness, issues and emotions, episodic thrills and overarching narratives, forward motion and back story. First and foremost, it is, needless to say, exactly the kind of show that would never get made by the networks, and probably wouldn’t even be considered by most premium cable outlets. Because "OINTB" is both compelling and wonderfully rendered and also problematic and uneven, in ways that are impossible to avoid. “Orange Is the New Black” represents everything fresh and promising and also thorny about what we must now accept as TV’s lasting, sustainable golden age. We are seduced by the fresh perspectives on display, but the landscape is untamed enough that we inevitably encounter tonal inconsistencies and narrative dead ends therein. But what’s particularly fascinating about this particular point in TV’s evolution is that wonderful new shows can be at once groundbreaking and vivid and entrancing - and still, at times, disappoint us. The best show runners are turning to these new distribution channels and applying everything they’ve learned about balancing mystery against lasting intrigue, flash and thrills against narrative resilience, skin-deep darkness against meaningful weight, gimmick against engrossing microcosms. While the networks seem caught in a never-ending loop of mediocrity fed by panic at dwindling ratings, premium cable, basic cable and innovators like Netflix and Amazon have learned a thing or two about sustainability from the networks’ failed experiments. But the second season of Netflix’s “Orange Is the new Black” somehow manages to make yet another argument for the cultural supremacy of TV. There are such smart, original, high-quality TV shows floating around, and so many of us are watching the good stuff, that it’s hard to argue against the medium’s merit or its significance. Now that television has definitively moved to the center of our cultural conversation, bestriding both the New York Times bestseller list and the latest big-screen superhero fisticuffs like a colossus, the question of whether the golden age of television is over or just beginning feels a little moot. (Very mild spoiler for "Orange Is the New Black" Season 2 ahead.)
0 kommentar(er)
